I work in a representational style, often referencing photographs, but I translate the visual information I see into a conversation about paint. What I use as speaking points often refer to a psychological disconnect from people and their surrounding environment and redefining meaning to symbols with loaded stereotypes. When I look at objects or places that are traditionally defined as ‘safe’ or ‘commonplace,’ I strive to push towards a new interpretation and question the boundaries of what is normal. Looking at kitsch subjects that may appear cute and harmless, I am interested in ways that kitsch could be dangerous and unpredictable, adding potential complexity to a once superficial subject.
I am equally interested in the materiality of my medium. Paint is the medium I use to model my landscapes and figures, and the process of accumulating layers of paint upon the canvas creates a heavily textured surface that resembles flesh. This focus on materiality creates a separation from the representational image I respond to. I portray figures with little emotion to show disconnect from their surroundings, their emotional alienation from others, or lack of awareness of their own consciousness. The idea of a traveler in a foreign environment, or a subject that fails to assimilate into a culture are points I reference throughout my work.